No longer Medea

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Keywords

theatre
the self
Medea
memoirs

How to Cite

Gómez Romero, J. . (2023). No longer Medea. Papel Escena, (19), 178–179. https://doi.org/10.56908/pe.n19.596 (Original work published March 25, 2023)


Abstract

The scene takes place in the year 2053, between the memories of THE WATCHER and his apparent state of reality. In his head, the memories are heavy yet profoundly light. All the characters are him; he is an I multiplied and multisituated in other bodies, made of memories with skirts that allude to an ancestral remembrance -perhaps- of his Medea, a dark woman with a reticent character who resists oblivion. Her brain is a morass of black and white matter, cerebrospinal fluid and fragments of a life that wants to disappear. Logos Controller, a gray interdimensional version of Jiminy Cricket, dwells despotically in his memories, reminding him of his humanly chaotic and poetically intravenous, timeless, moderately failed and existentialist nature.
Some other appearances will give a permanent account of the order that chaos has...
Ultimate Corporation will make your desire a reality or your reality a desire; either option will be possible depending on the will of the observer.

https://doi.org/10.56908/pe.n19.596
PDF (Español (España)) Visitas: 7
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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2023 Papel Escena

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